K-pop; K in Conflict and Pop
- Alternative Title
- 갈등하는 케이,팝
- Abstract
- 저자 이규탁은 K-pop이 정체성을 확립해 가는 과정에서 겪는 다양한 경험을 정리하였다. 특히, 한국을 대표하는 문화 산업이자 세계적인 인기를 얻고 있는 음악 장르로서 K-pop이 문화적, 사회적, 경제적, 국제 관계 속에서 대내외적으로 경험하는 갈등과 성장통을 역사의 흐름과 세대 간의 변화 속에서 사례로 소개하고 있다. 기존의 대중이 익숙하게 알고 있던 ‘한류'와 K-pop 1세대와 2세대와는 확연히 달라진 K-pop 3세대 이후 벌어지는 희귀한 현상들을 소개하면서 ‘한류'라는 단어가 무색할 정도로 확장된 K-pop의 개념을 재정립하려고 시도 한다. 그러나 K-pop이 지역의 특수성과 글로벌 보편성 모두를 갖고 있음에도 불구하고 아직은 케이팝에서 케이를 떼어 낼 수 없다는 점을 시사한다.|Author Lee Kyu-tak summarized various experiences that K-pop experiences in establishing its identity. In particular, as a representative cultural industry in Korea and a music genre that is gaining worldwide popularity, K-pop introduces conflicts and growth pains experienced internally and externally in cultural, social, economic, and international relations as examples in the flow of history and changes between generations. Introducing the rare phenomena that take place after the third generation of K-pop, which are clearly different from the first and second generations of K-pop, which the public was familiar with, attempts to redefine the concept of K-pop, which is so expanded that the word "Hallyu" is overshadowed. However, even though K-pop has both regional specificity and global universality, it suggests that K-pop's K-pop cannot be removed yet.
- Author(s)
- Lee, Hee Jung
- Issued Date
- 2023
- Awarded Date
- 2023-02
- Type
- Dissertation
- URI
- https://dcoll.jejunu.ac.kr/common/orgView/000000010992
- Alternative Author(s)
- 이희정
- Affiliation
- 제주대학교 통역번역대학원
- Department
- 통역번역대학원 한영과
- Advisor
- Kim, Won-Bo
- Table Of Contents
- Prologue; K-pop as a genre (p.1)
1. Is K-pop Korean? (p. 8)
A global music genre created in Korea (p.8)
Both universal and special (p.9)
How do ABBA and Psy differ? (p.13)
Attractive due to its uniqueness (p. 15)
2. Global pop stars BTS and Korean idol Psy (p. 20)
K-pop’s antithesis (p.20)
Artists who started from scratch (p. 21)
Songs Koreans sing in Korean Language (p. 23)
Icons of Generation Z (p. 25)
K-pop and sincerity (p. 27)
3. Foreigners performing K-pop (p. 31)
Nationality of Misamotsu (p. 31)
Globalization of K-pop and its foreign members (p. 32)
Captivate local fans (p. 34)
K-pop and East Asia (p. 36)
4. What nationality is K-pop? (p. 41)
Produce 48 and AKB48 (p. 41)
Let’s learn K-pop (p. 44)
Global standard (p. 45)
Culture of East Asia, K-pop (p. 50)
5. Conditions of K-pop (p. 53)
No Koreans in a K-pop group? (p. 53)
AK-pop (p. 54)
The world’s most controversial K-pop group (p. 56)
The boundaries of K-pop (p. 59)
6. What is the origin of K-pop? (p. 64)
The fandom that rejected the K-pop Avengers (p. 64)
The evolution of fandom and global expansion (p. 65)
Export-oriented idols (p. 68)
Foreign ‘cockroaches’ and white washing (p. 72)
Epilogue; The conflict and evolution of K and Pop (p. 77)
Endnotes (p. 82)
Inside book journalism; Music from the global generation (p. 92)
- Degree
- Master
- Publisher
- 제주대학교 통역번역대학원
- Citation
- Lee, Hee Jung. (2023). K-pop; K in Conflict and Pop.
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Appears in Collections:
- Graduate School of Interpretation & Translation > Korean-English
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